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Micromuseum

Boerum Hill Brooklyn, NY since 1986

  • Home
  • Past Exhibits
    • 2020- 2025 Catalog
    • The Collection
    • Press+Media
    • Cyro Baptista's Beat The Donkey
    • Spring Fever
    • 25th Anniversary
    • Laziza Electrique Dance Co.
    • Wearable Art by William Laziza
    • Circus Surreal
    • MAKE IT YOUR OWN
    • Speaking up!
    • NOTABLE EXHIBITS
  • Founders
    • Info
    • MISSION
    • Timeline
    • Kathleen Laziza
    • William Laziza
    • John Lamacchia
  • Art Products
    • Assemblages
    • 2D Art
    • Media
    • Wearable Art Ties
    • Video Jewelry Players
    • Small Scarves
  • VISUAL ART
    • Food Collages
    • Urban Wall Art Imagery
  • THOUGHT BUBBLES
  • Donate Here

HOW TO PRACTICE WHILE IN AN EVOLUTION

The worst part about not knowing what to effectively do or say in the face of extreme gaslighting is that we are supposed to be nice about being rendered speechless in the face of the daily atrocities of unspeakable acts of violence or violence-adjacent behavior. That is a shame because I have limits. The tactic is always the same from the loudmouths. Apply massive fear for the longest-lasting hysteria. It is really very simple, and it is strangely repeated by legacy media. It is hard to know where to draw the line. But I will tell you: I draw lines because it is better to put trash talk in a box where it can do less damage. As time goes on, it does seem that we are mirroring a global disaster-risk reduction survival exercise, but since it is filled with bursts of schadenfreude, I’m going to go with that. There is a steady outcome for failure because these loudmouths don’t understand law or order. The “big” people want laws for thee but not for me, and one-third of Americans agree with being lopsided. Don’t ask me why? I’ll never know. I will go to my grave wondering how the “little” people could make such a ghastly error. Unfortunately, it happens over and over and over again. This is why I believe we are in an evolution, and if we are, we should at least get good at understanding the mess we are in.

The good news about messes is that they can always be straightened up. Take a bit of advice from me, an old mom. Everyone hates cleaning up, so it is best to do it quickly and calmly at the crucial moment when we have to take action to motivate ourselves and build momentum. Any task is solvable when we take direct action seriously. I’ve honed the skills to overcome difficulties in my daily practice as part of this evolution process. They are all linked to various art proficiencies, so if you want a shortcut, study art, dance, or music. Those talents are the best teachers. But since life is too busy, I’ll tell you and apologize if it seems anticlimactic because my trick is that I tell myself, “get ‘r done.”

While living through the messiness of our current timeline’s evolution, I entertain myself with live performances, museum exhibits, and films. I landed in a lovely 2025 film called “It Was Just an Accident” written and directed by Jafar Panahi. It was an Iranian film about the people who survived political persecution and the self-doubt that arises when vengeance is the immediate motivation, but it turned into a ludicrous French farce. The humanity displayed in the film was touching, and there were many laugh-out-loud moments; the topic, however, was very serious. These characters were survivors who grew together, and after kidnapping the perpetrator, the main character required others to weigh in because his impulse was to murder their torturer, but he could not bring himself to do it without community support. The film reminded me of another film, “Life is Beautiful.” This1997 Italian film was directed by and starred Roberto Benigni and co-writer Vincenzo Cerami. Again, the topic was surviving the Holocaust — so very serious, but the humanity displayed by the father to protect his young son from the horrors of war and their eventual capture was awe inspiring. All of it makes me wonder if it is possible to resist fearfulness in the face of lawlessness and survive without losing our humanity or love for one another? I often find inspiration in art and these two films were able to direct my attention away from the hedious crimes that were enacted and towards the feeling of caring that bind us together. Fortuneately, laughter is still the best medicine.

tags: foreign films
categories: inspiration, community, art, politics
Monday 01.19.26
Posted by Kathleen Laziza
 

DETAILS TO KNOW

It has been a long time since I’ve bantered about art making in NYC and life as a not for profit art organization involved in an extensive archival project 2020 - 2025. I gotta admit it is harder than I once thought to keep so many balls in the air at the same time. Hence no new blogging. I am reluctant to void the blogging possibility here on this site and apologize for no new posts. Hopefully we can get back on track in 2026! Thanks for your kind attention and best you you everyday.

categories: community, archives, art
Tuesday 01.09.24
Posted by Kathleen Laziza
 

THE YEAR WAS COVFEFE

Artists in the Age of Brainwashing

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tags: George Lucas, StarWars, 2017, politics, artists
categories: art, inspiration, politics
Tuesday 12.12.17
Posted by Kathleen Laziza
Comments: 1
 

TIME AND TIME AGAIN

Artists in the Age of Brainwashing

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tags: Yoko Ono, Downtown Brooklyn, Kindness
categories: art, community, inspiration
Saturday 11.18.17
Posted by Kathleen Laziza
 

THE BEGINNING AND THE END

Artists in the age of brainwashing

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tags: artists, politics, community, activism
categories: art, community, politics
Tuesday 10.10.17
Posted by Kathleen Laziza
Comments: 2
 

IN DEFENSE OF ARTISTS

Creative vibrancy starts with advocating for artists. 

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tags: fearless girl, Kristen Visbal, First Amendent, Wall street, Charging Bull, artists, NYC
categories: art, dance, first amendent
Tuesday 07.04.17
Posted by Kathleen Laziza
 

DANCE WITH THE DEVIL

Americans like to live dangerously. Why else would we be in this position where so many aspects of living put us in collective jeopardy? Every place one looks there is turmoil and under-development. It can be seen acutely everywhere but not in the world of art where I live. What I see in this unique world is the ability for individuals to achieve greatness against serious odds. No matter how long it takes and even when we think nobody is noticing, artists innovate. Sadness? Artists have ways to lift ourselves up. It usually starts with sharing something simple. A delicious fruit, a beautiful sunset, a good night sleep, a cold beer on a hot afternoon etc... Under-capitalized? Artists can re-imagine so at least it is not too painful, plus there is the occasional magic that happens when one person's trash is an artist treasure. However artists are lucky because as a community it is typically generous with one another. Coming together in times of sorrow and joy are natural for most communities but when it happen in artist world, everyone should be prepared to walk away inspired because it happens all the time.

When I first came to Brooklyn in the mid 1980s I became friends with so many people who have long since passed away. Two of them in particular stand by me today with nearly everything I do. Sculptor Alan Glovsky was one of the most open minded, tenacious, capable people I knew. He was a wonderful influence on my children and I can still ask myself the question he asked me all the time.... "are you happy?". If I answer "yes" then... I feel lucky but if I answer "no" it is on me to change that direction.  I appreciate this simple clarity. The other great influence in my life was Tessie William, the District Manager for Community Board 2. She advocated for me when nobody dared and she stood by me when I turned my dream into a reality.  She was so proud of everyone's creativity. As she started to decline she "made the rounds" with her friends to say a fond farewell carrying a few choice strawberries to share.  She told me a story that I want to tell now. Her story explained the difference between heaven and hell. In hell there was bountiful foods and drinks but people lacked elbows to help themselves. It was sad angry place, but in heaven it was the exact same situation except people learned how to feed one another and it was peaceful loving place. So... the moral of her story was that if a community works together then shared problems are solved easily. RIP Tessie and Alan, my love never stopped.

Despite all the unhappiness, greed, fear and hatred there is all around us, we do not need to dance with the devil to accomplish something good. We just have to pick our friends more carefully.

 

Some people say the nicest things.

Some people say the nicest things.

tags: brooklyn, Artists, Friendship
categories: art, community, dance, inspiration
Friday 06.23.17
Posted by Kathleen Laziza
 

FASTER THAN A SPEEDING TRAIN

Pictured here: Teresa Adams

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tags: Micro Museum, Artists
categories: art, inspiration, dance
Friday 06.09.17
Posted by Kathleen Laziza
 

GOING BACKWARDS

I am a very slow reader. So it is with some pride I can say that I finished reading Jonathan Letham’s “Fortress of Solitude” recently. The story tells of several boys and their families as they grew up in the Gowanus area of Boerum Hill. My backyard. One of the character was named the same name as my son, so what mother doesn’t love reading that? It turned out to be a pure pleasure read. The story involved aspects of gentrification, public schooling, race relations for children at an early age, drug use or abuse, vandalism and comics book fantasies. All of this instantly shot me back to my youth. Mine was not a neighborhood decaying like the demanding urban “fixer-upper” Gowanus.  Mine was a newly tilled sub-development that encouraged America’s metropolitan sprawl. I was keenly aware of race/class structure. I encountered systemic sexism that scarred me more than I understood at the time. All I know is that I had to get outta there if I wanted to survive. Seven days after high school graduation, I left and never looked back. Letham’s characters, much like myself used their imaginations to evolve out of a dead end situation.  There was no future in the past.

Letham’s “coming of age story” is universal. NYC is a city where one could sustain a whole career with a fraction of recognition, spotty financial support, or the satisfaction that your work will be exhibited in a meaningful way.  Instead NYC artists find happiness with dedicated viewers and uneven moments of pure accolade. I remember being a Texan artist where all we had to do was take out one little ad in the local newspaper and the place was packed with curious minded people willing to pay money to see what we were doing. There was literally nothing else interesting to do. I sold artwork, without even trying. There were large commissions and pre-sale opportunities but I yearned to break away. NYC is my adopted hometown.  The youngster in me identified with Letham’s wayward boys as they reacted to their world in irrational ways, ways that prevented positive results. The characters spoke to me because I know how a dangerous childhood can encroach on decisions years later.  The one major difference was that none of these boys could become pregnant, unwillingly. This was the fear that so many girls lived with because there was so much violence around them.  Imagining girl life –vs- boy life with fictional characters is my idea of an intellectual month well spent.  However living people struggle long past the end of the page. So while I manage to make artworks to share, while I sustain a proud partnership for nearly 4 decades, while I enjoy my children as they became men, while I support my friends through their ups and downs, I hope all living youngsters will find a way of expressing themselves through another medium like dance, paint, words, object, music, and media as an alternative to self-destruction.  It is possible to embrace a future through friendships that sustain us over a lifetime but you have to get through adolescents first.

When there were regular weekly gallery hours at Micro Museum® I greeted visitors. Two women from Canada who ironically I meet on the F Train platform the day before, came for a visit. During their visit one announced that they have been friends for 45 years. I asked them what allowed them to remain friends all that time, through marriages, children, different cities, different careers, and obviously different fashion since one was decked out in 100 colors and the other wore jeans and t-shirt and they both answered “ART”. Apparently they love it and because of that answer I loved them too. It was that simple. Slow friendships that evolved over many years are worthy investments plus I should add so is art.

 
tags: Brooklyn, Micro Museum
categories: art, literature
Friday 12.18.15
Posted by Kathleen Laziza
Comments: 1